| FEATURES | ||
| 2008 | FROM TIME TO TIME | Dir: Julian Fellowes |
| Prods: Julian Fellowes, Paul Kingsley, | ||
| Liz Trubridge | ||
| Ealing Studios, Fragile Films | ||
| 2007 | INTO THE STORM | Dir: Thaddeus O’Sullivan |
| * Emmy nomination 2009 | Prods: Frank Doelger, Tracey Scoffield, | |
| Ann Wingate, Julie Payne | ||
| Scott Free Productions, HBO, BBC Films | ||
| Rainmark Films | ||
| 2007 | MY ZINC BED | Dir: Anthony Paige |
| Prods: Tracey Scoffield, Frank Doelger | ||
| Rainmark Films, HBO, BBC | ||
| 2006 | JOURNEY HOME (development) | Dir: Liv Ullman |
| Prods: Peter Ker, Steven Haft | ||
| 2005 | FADE TO BLACK | Dir: Oliver Parker |
| Prods: Barnaby Thompson, | ||
| Trevor Ingman, Jonathan Olsberg | ||
| Fragile Films, Dakota Films | ||
| 2003 | BEING JULIA | Dir: Istvan Szabo |
| Prod: Robert Lantos | ||
| First Choice Films, | ||
| Serendipity Point Films | ||
| 2002 | MY HOUSE IN UMBRIA | Dir: Richard Loncraine |
| * Emmy nomination 2003 | Prod: Ann Wingate | |
| HBO, Canine Films | ||
| 2001 | THE GATHERING STORM | Dir: Richard Loncraine |
| * BAFTA TV Award 2003 for Best | Prods: Frank Doelger, | |
| Production Design | David M Thompson | |
| HBO Films, Scott Free Productions | ||
| 2001 | THE IMPORTANCE OF | Dir: Oliver Parker |
| BEING EARNEST | Prod: Barnaby Thompson | |
| Fragile Films, Miramax Films | ||
| 2000 | POSSESSION | Dir: Neil LaBute |
| Prods: Paula Weinstein, | ||
| Barry Levinson | ||
| Warner Bros Pictures, | ||
| Focus Features | ||
| 1999 | ANNA AND THE KING | Dir: Andy Tennant |
| * Academy nomination 2000 | Prods: Lawrence Bender, Ed Elbert | |
| * ADG nomination 2000 | Fox 2000 | |
| * Italian Silver Ribbon nomination 2000 | ||
| * Golden Satellite nomination 2000 | ||
| 1998 | A MIDSUMMER NIGHT’S DREAM | Dir: Michael Hoffman |
| Prods: Leslie Urdang, | ||
| Michael Hoffman | ||
| Fox Searchlight Pictures | ||
| 1997 | JAKOB THE LIAR | Dir: Peter Kassovitz |
| Prods: Steven Haft, | ||
| Marsha Graces Williams | ||
| Tri Star Pictures | ||
| 1996 | OSCAR AND LUCINDA | Dir: Gillian Armstrong |
| * AFI Award 1998 | Prods: Robin Dalton, | |
| Timothy White | ||
| Fox Searchlight Pictures | ||
| 1995 | SURVIVING PICASSO | Dir: James Ivory |
| Prods: David L Wolper, | ||
| Ismail Merchant | ||
| Merchant Ivory Productions, | ||
| David L Wolper Productions | ||
| 1995 | SENSE & SENSIBILITY | Dir: Ang Lee |
| * BAFTA nomination 1996 | Prod: Lindsay Doran | |
| Columbia Pictures | ||
| 1994 | VICTORY | Dir: Mark Peploe |
| Prod: Simon Bosanquet | ||
| Telescope Films, RPC, Canal+ | ||
| 1993 | ONLY YOU | Dir: Norman Jewison |
| Prods: Robert N Fried, | ||
| Norman Jewison, Charles Mulvehill, | ||
| Cary Woods | ||
| TriStar Pictures | ||
| 1992 | THE REMAINS OF THE DAY | Dir: James Ivory |
| * Academy nomination 1994 | Prods: John Calley, Mike Nichols | |
| Ismail Merchant | ||
| Columbia Pictures, | ||
| Merchant Ivory Prods | ||
| 1992 | THE INNOCENT | Dir: John Schlesinger |
| Prods: Norma Heyman, | ||
| Wieland Schulz-Keil, | ||
| Chris Sievernich | ||
| Miramax Films, DEFA | ||
| 1991 | HOWARDS END | Dir: James Ivory |
| * Academy Award 1993 | Prod: Ismail Merchant | |
| * BAFTA nomination 1993 | Merchant Ivory Productions | |
| * Italian Silver Ribbon Award 1993 | ||
| 1990 | CLOSE MY EYES | Dir: Steven Poliakoff |
| Prod: Therese Pickard | ||
| Channel Four Films | ||
| 1988 | THE RAINBOW | Dir: Ken Russell |
| Prod: Ken Russell | ||
| Vestron Pictures Ltd | ||
| 1987 | MADAME SOUSATZKA | Dir: John Schlesinger |
| Prod: Robin Dalton | ||
| Odeon Films | ||
| 1983 | MRS SOFFEL | Dir: Gillian Armstrong |
| Prods: David Nicksay, | ||
| Scott Rudin, Edgar J Scherick | ||
| MGM | ||
| 1982 | THE PLOUGHMAN’S LUNCH | Dir: Richard Eyre |
| Prods: Simon Relph, Ann Scott | ||
| Goldcrest Films International | ||
| 1982 | PRIVATES ON PARADE | Dir: Michael Blakemore |
| Prods: George Harrison, | ||
| Denis O’Brien, Simon Relph | ||
| Handmade Films Ltd | ||
| 1981 | THE RETURN OF THE SOLDIER | Dir: Alan Bridges |
| Prods: Simon Relph, Ann Skinner | ||
| Skreba Films | ||
| 1979 | MY BRILLIANT CAREER | Dir: Gillian Armstrong |
| *Australian Film Institute | Prod: Margaret Fink | |
| Award 1979 | New South Wales Film Corp, | |
| GUO | ||
| 1978 | THE NIGHT, THE PROWLER | Dir: Jim Sharman |
| *Australian Film Institute | Prod: Anthony Buckley | |
| Award 1979 | New South Wales Film Corp | |
| 1977 | WATERSHIP DOWN | Dir: Martin Rosen |
| (Myth Sequence) | Prod: Martin Rosen | |
| Nepenthe Productions | ||
| 1970 | SUNDAY BLOODY SUNDAY | Dir: John Schlesinger |
| Prod: Joseph Janni | ||
| Vectia Films | ||
| 1968/9 | WOMEN IN LOVE | Dir: Ken Russell |
| * BAFTA nomination 1970 | Prod: Larry Kramer | |
| Brandywine Productions Ltd | ||
| OPERA | ||
| 2000 | PETER GRIMES | Dir: John Schlesinger |
| Production Designer | Teatro La Scala, Milan | |
| & Los Angeles Opera LA | ||
| 1989 | UN BALLO IN MASCHERA | Dir: John Schlesinger |
| Costume Designer | With Herbert Von Karajan | |
| Salzberg Festival | ||
| 1987 | OTELLO | Dir: Peter Wood |
| Costume Designer | Vienna State Opera | |
| 1986 | RIGOLETTO | Dir: Anthony Besch |
| Costume Designer | Forum Filharmonisch Opera, | |
| Enschede, Holland | ||
| 1984 | TANNHAUSER | Dir: Elijah Moshinsky |
| Costume Designer | Royal Opera House | |
| Covent Garden | ||
| 1984 | I VESPRI SICILIANI | Dir: Elijah Moshinsky |
| Costume Designer | Geneva Opera | |
| 1983 | IL TROVATORE | Dir: Elijah Moshinsky |
| Costume Designer | Australian Opera | |
| 1982 | THE MAKROPOULOS CASE | Dir: Elijah Moshinsky |
| Costume Designer | Adelaide Festival Of The Arts | |
| 1981 | LA BUONA FIGLIOULA | Dir: Norman Ayrton |
| Designer | Australian Opera | |
| 1980 | DEATH IN VENICE | Dir: Jim Sharman |
| Costume Designer | Adelaide Festival Of The Arts | |
| 1973 | CATILINE | Dir: Anthony Besch |
| Designer | Scottish Opera | |
| 1967 | THE GONDOLIERS | Dir: Anthony Besch |
| Costume Designer | D’oyly Carte, London | |
| THEATRE | ||
| 1990 | SCHOOL FOR SCANDAL | Dir: Peter Wood |
| Costume Designer | National Theatre, London | |
| 1988 | RING AROUND THE MOON | Dir: Elijah Moshinsky |
| Costume Designer | Chichester Festival | |
| 1981 | LULU | Dir: Jim Sharman |
| Costume Designer | State Theatre Company Of | |
| South Australia And Sydney | ||
| Theatre Company | ||
| 1980 | CYRANO DE BERGERAC | Dir: Richard Wherrett |
| Costume Designer | Sydney Theatre Company | |
| 1980 | A PRECIOUS WOMAN | Dir: Richard Wherrett |
| Production Designer | Sydney Theatre Company | |
| 1979 | VISIONS | Dir: Rex Cramphorn |
| Production Designer | Paris Theatre | |
| 1979 | PANDORA’S CROSS | Dir: Jim Sharman |
| Costume Designer | Paris Theatre | |
| 1972 | I AND ALBERT | Dir: John Schlesinger |
| Production Designer | West End, London | |
